Tag Archives: Cote des Nuits

What goes around (Cote des Nuits, France – Day Three)

Now that winter has arrived I feel like I’ve come full circle in Europe because I arrived mid January in Paris. Back in February when I was in Germany you may remember that the temperature dropped well below zero and there was quite a bit of snow in regions like the Mosel, Rheingau and Franken. The morning of my third day in the Cote d’Or I awoke to falling snow that continued all morning and covered the cars, houses and buildings quite beautifully. It also made driving a little more challenging both for visibility reasons but also as the road was a little slippery. Seeing this just reinforces the fact that these wine regions North of the Loire Valley really are very cool-climate, and you would very rarely see snow in any regions in Australia, even further south in Tasmania. These cold temperatures and snow or frost are of course the reason that grape vines go into dormancy by turning brown and into canes, to protect themselves. It’s a shame that humans can’t develop a hard exterior that perfectly protects them over the winter, we would save a fortune on heating expenses, warm clothes and car problems. My final day in the Cote des Nuits I visited three small producers all with a different approach and expression.

Nuits-St-George vineyards under snow

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Expressions of interest (Cote des Nuits, France – Day Two)

One of the true revelations of my journey has been to discover the four components of what makes a great wine which must all be present and in balance. The first is the vine (obviously), but more importantly the right variety for the place. The place is the second component; for lack of a better term the terroir or the environment, which includes the climate but not the weather. The weather is a part of the third component which is the vintage, and how the specifics of the entire year can influence the character. The final component is the influence that people have, which includes everything viticulturally, oenologically, philosophically, spiritually and financially. All four components have their own influence on the character of the wine and to be a great wine they must be all working together, however one or more of the four often stands out more than the others whether intentionally or not. The most common component to dominate is the human influence of winemaking and something I am beginning to realise is that this is true in every region, even here in Burgundy. Winemakers whether deliberately or not want to impart their signature on the wine through anything from skin contact, use of oak, fruit sorting, ripeness of fruit at harvest and even the type and amount of filtration. So even within a single vineyard you may have slightly (or very) different expressions of the other three components. My day consisted of three appointments, all north of the village of Nuits-St-George.
Water is an important resource for wine production

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Chalk and cheese (Cote des Nuits, France – Day One)

There is a very good reason that the part of Burgundy between Dijon and the beginning of the Cote Challonaise is referred to as the Cote d’Or or Golden Coast, and it’s not because of the colour of the leaves in Autumn. It’s because the greatest and most aught after wines in the world are from this mysterious and unattainable part of the world, crafted from only two varieties, either pinot noir or chardonnay. These are the benchmarks not only for wines made with these grapes but all wines, particularly cool-climate elegant wines. I visited here as part of my 2010 trip, only spending a total of three days which included one in Chablis. With so little time back then I ended up visiting three negociant style houses based in Beaune and only one small producer in Volnay, but none in the Cote des Nuits although I did taste wines from this area. When I drove back from Dijon to Beaune after my visits in Chablis I passed all the vineyards that have such mythical names, realising just how small the appelations are. Some domaines own many hectares of vineyards in a multitude of different appelations and buying fruit or wine to make up the difference, releasing 50 or more wines each year. Other domaines are pure proprietors who only make wines from their own meagre holdings less than 15 hectares, often within one village. The difference between these two types of burgundy houses can be profound as I discovered on my first day in the northern part of the Golden Coast.
They use these at Louis Jadot to indicate when they have tasted from a barrel and it needs topping up

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