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| High above the vineyards of the Douro |
Category Archives: Winery Visits
Déjà vu (Douro Valley, Portugal – Day One)
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Porto to the past (Porto, Portugal – Day Two)
In case you weren’t aware (and I certainly wasn’t), the Douro Valley where port wine is produced was the first officially demarcated viticultural areas in the world in 1756, although Chianti and Tokaji were regionally defined but not regulated before this. The actual viticulture and initial fermentation is no different to any other red wine, but the fruit can tend to be a little riper with more natural sugar in it. After the fortification the wine used to travel down the river on boats in barrels, but today the wine travels on the road in climate controlled tanks. When you visit Vila Nova de Gaia on the left bank of the Douro in Porto, you can still see the barcos rabelos moored and floating, and now they are only used for racing and tourism. British merchants were permitted to import port at a low duty in 1703 which led to the wine gaining much popularity, partly because the war with France deprived English wine drinkers of French wine. The English involvement in the port trade grew much like in sherry, and still remains today in the names of many port shippers such as Cockburn, Croft, Gould, Osborne, Offley, Sandeman, Taylor, Graham, Dow and Warre, the last three of which are owned by the same family and I had the chance to taste on my second day in Porto.
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| Port boats docked in Villa Nova de Gaia |
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Hard a’ port (Porto, Portugal – Day One)
Only a week a go I was talking about a style of wine considered to be very old-fashioned and makes one think of old British movies. This wine was sherry, and it is interesting that about two weeks later I am here where they produce the other wine that comes to mind which is port. Sherry and port share a few things in common apart from being thought of as an old persons drink. Firstly they are both fortified wines, but in the case of port the fortification is made during the fermentation to stop it and retain a residual sugar, whereas sherry with the exception of pedro ximenez and muscatel are fortified after the fermentation. Secondly the fortification was important for the transportation and spread of port as it was for sherry, but it was actually British wine merchants who introduced the process into port whereas the Moors introduced it in sherry. The third similarity is with the fact that like dry sherries, cask-aged port doesn’t age in the bottle and should be consumed pretty soon after bottling, whereas vintage port ages in the bottle and can keep for a very long time indeed. The first fundamental difference between the two is that the vast majority of port is made from red grapes, whereas more sherry is made from white grapes. Along the same lines, almost all port is sweet whereas the majority of sherry is either dry or medium-dry. Like sherry however, port is also undervalued and underappreciated, and the best examples are truly exceptional wines regardless of their style.
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| The port halls of Taylor’s |
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The future starts here (Dao, Portugal – Day Two)
Knowing so little about Portuguese wine everything I am experiencing is new to me. With such an objective opinion of wine and the wine industry here, I am open to different ideas and I have been developing some ideas which may or may not be particularly accurate. One of the first things I noticed about wine in Portugal compared to other European countries is that more premium wines tend to be a little more expensive, particularly in restaurants where they have pretty much the same markup as in Australia. The second thing I have noticed is that there is a big difference between commercially produced wines and more premium boutique wines both in terms of quality and volume, but there seems to be a huge gap in the middle with very few medium-sized wineries. The third thing I have noticed is a lack of cooperation between wineries, which I experienced when visiting one winery and them talking in a slightly negative or condescending way about other wineries. Obviously these wines are competing with each other, but perhaps they need to look a little bigger and consider that they are actually competing with other product categories like beer, spirits and countless non-alcoholic beverages. You also can’t ignore the trend for the best Portuguese wines to be consumed within Portugal, with port the only exception. All of these reasons combine to create a situation where very few outside the country know how good the wines are, and as such not much is exported in a profitable way. Hopefully this will change as new groups have been established to promote the wines around the world. The two wineries I visited on my second day in the Dao region are probably the most important for the region in the export markets.
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| Sandy granitic soils in Dao |
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Baga me (Bairrada, Portugal – Day Two)
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| Above the vineyards of Campolargo in Bairrada, Portugal |
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Living on the edge (Bairrada, Portugal – Day One)
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| Traditional method sparkling wines at Sidonio de Sousa |
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The Sherry Revolution (Jerez, Spain – Day Two)
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| Can you tell I’m missing home? |
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Hitting the flor (Jerez, Spain – Day One)
What comes to mind when you hear the word sherry? Depending on where you are from, the most likely response is little old ladies of British descent sipping on sweet wine out of small glasses. Considering the history of this particular wine this image is makes a lot of sense, but certainly isn’t 100% accurate. There is a certain irony in the fact that many of the sweet wines in the world were actually heavily targeted towards the British markets of the past, possibly none more so than sherry. They even designed specialty wines for them, most notably cream sherry which is still today the most familiar style to consumers in many parts of the world. Sherry wine as it is today is one of the oldest wine styles in the world, dating back to the Moors who introduced distillation and fortification over a thousand years ago. The British fell in love with the wine after Francis Drake sacked Cadiz and took several thousand casks back to England, and since then the UK has been their biggest market. To maintain consistency a system was devised to always have a constant supply, and this was the solera system. A minimum of four rows of barrels were stacked, and a minimum of three times a year the barrels are filled one-third from the top down. In the past this was done by hand using jugs, but today the wine is transferred to tanks and blended before being passed down. Therefore you can bottle sherry three times a year, which is important for the drier styles which are much better when they are fresh. With the higher alcohol fortification the wine can live longer in the bottle even after opening, which is why it is so common to find really old bottles in your grandparents bars. But the dry styles really need to be drunk within six months of bottling, as they tend to become a bit tired. Not easy for us down in Australia, hence my desire to taste from the solera when I visited. The two producers I visited are some of the oldest and most important in the region.
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| The first of many attempts to remove some sherry from the solera |
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Sea change (Malaga, Spain)
What motivates people to step away from their comfort zones and start a new adventure in an unfamiliar place? This is a question that I ask myself quite regularly as I make my journey around the world, and encounter people who somehow have ended up somewhere far from their roots, much like myself. In my travels I have encountered viticulturalists and winemakers who are working in a region or country not their own, mostly for the love and challenge of great wine. Everything from Kiwis in the United States, South Africans in Canada, to Swiss in Germany and Spain, and Germans in Italy. And without question there are French everywhere, which is probably to do with the fact that outside of France there are more opportunities to create a reputation for themselves and build something from the ground up. This has particularly been the case in Spain, with at least six wineries I have visited being either founded by a French winemaker or at least employing one.
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| A cortijo where moscatel grapes are left to dry in the sun |
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